In the ten months I worked as a curator's assistant at the Andy Warhol Foundation, I sat in a variety of offices depending on whose project was most pressing. I input the data the curators collected and created text to go along with it for the Christie's Auction catalogue. I had access to an amazing library of reference books, and sat among some remarkable pieces of art. For a while I sat across from one of the enormous Double Silver Elvis paintings, and it was glorious. Right next to that desk was one of those little Liz Taylor prints that was heartbreakingly beautiful.